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Krishna REDDY
B. 1925 in Chittoor, India / Lived and Worked in India and France
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Krishna Reddy was a pioneering Indian master printmaker, sculptor, and educator, widely celebrated as a trailblazer in modern intaglio and viscosity printing.

While serving as the Associate Director of the legendary Atelier 17 in Paris—a historic hub for avant-garde masters like Pablo Picasso, Joan Miró, and Alberto Giacometti—Reddy was instrumental in developing a groundbreaking technique that allowed multi-colored prints to be pulled from a single matrix by exploiting ink viscosity. This revolutionary process fundamentally transformed the field of printmaking, streamlining complex multi-color runs into a single, seamless press operation.

His abstract, contemplative prints merge intricate, grid-like texturizations with a profound exploration of nature's infinite mysteries. Reddy later shared his technical breakthroughs and artistic philosophy with a global generation of artists, teaching extensively at institutions such as Robert Blackburn's Printmaking Workshop in New York. In recognition of his monumental contributions to global modern art, Reddy was awarded the prestigious Padma Shri by the Government of India in 1972, cementing his legacy as one of the most influential printmakers of the 20th century.
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The Tree Trunk, 1962
Carborundum etching
37x47 cm 
Edition of 65

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Between The Many and The One, 1970  
Carborundum etching
38x56 cm
Edition of 135 
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Fish, 1952    
Carborundum etching
28x40cm
Edition of 20
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Le Papillon, 1957    
Carborundum etching
45x53 cm 
Edition of 110 
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Bull and Man, 1957
Carborundum etching
39x31cm
Edition of 220
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Whirlpool, 1962
Carborundum etching​
37x45 cm
Edition of 65

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Wave, 1963
Carborundum etching
37x47 cm 
Edition of 65
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Spider Web, 1964 
Carborundum etching
33x48.3 cm
Edition of 65
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Maternity, 1958    
Carborundum etching
63x46 cm
Edition of 60
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